{"id":47512,"date":"2022-12-24T15:09:22","date_gmt":"2022-12-24T15:09:22","guid":{"rendered":"https:\/\/gennarosica.it\/en\/?page_id=47512"},"modified":"2023-05-06T10:58:44","modified_gmt":"2023-05-06T10:58:44","slug":"arte-allaudizione","status":"publish","type":"page","link":"https:\/\/gennarosica.it\/en\/arte-allaudizione\/","title":{"rendered":"ARTE ALL’AUDIZIONE"},"content":{"rendered":"

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Opera Start-up \u2013 Gesture beyond the voice<\/strong><\/h2>\n

The changing perspectives of musical theatre and evolving public expectations have increased the complexity of the singer\u2019s role.<\/span>
Within this current climate of audience-informed expectations of the artist, the vocally confident, talented, even musically gifted singers lacking pure acting abilities, are judged poorly against innately talented actors with performance finesse. The stage aims to provide young singers with the skills necessary to provide an authentic and believable performance beyond the merely flat imitation of stereotyped gestures.<\/span>
Through demonstration of fundamental stylistic models, applied study and execution techniques and relative scenic exercises, the singer is carefully directed and guided towards the expressive credibility required today for a successful and self-fullfiling performance. The psychological mask of F. Schaljapin<\/strong>.<\/span><\/p>\n

” content_phone=”<\/p>\n

<\/h2>\n

Opera Start-up \u2013 Gesture beyond the voice<\/strong><\/span><\/h2>\n

 <\/p>\n

The changing perspectives of musical theatre and evolving public expectations have increased the complexity of the singer\u2019s role.<\/span>
\nWithin this current climate of audience-informed expectations of the artist, the vocally confident, talented, even musically gifted singers lacking pure acting abilities, are judged poorly against innately talented actors with performance finesse. The stage aims to provide young singers with the skills necessary to provide an authentic and believable performance beyond the merely flat imitation of stereotyped gestures.<\/span>
\nThrough demonstration of fundamental stylistic models, applied study and execution techniques and relative scenic exercises, the singer is carefully directed and guided towards the expressive credibility required today for a successful and self-fullfiling performance. The psychological mask of F. Schaljapin<\/strong>.<\/span><\/p>\n

” content_last_edited=”on|phone” _builder_version=”4.20.4″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]<\/p>\n

Opera Start-up \u2013 Gesture beyond the voice<\/strong><\/h2>\n

The changing perspectives of musical theatre and evolving public expectations have increased the complexity of the singer\u2019s role.<\/span>
Within this current climate of audience-informed expectations of the artist, the vocally confident, talented, even musically gifted singers lacking pure acting abilities, are judged poorly against innately talented actors with performance finesse. The stage aims to provide young singers with the skills necessary to provide an authentic and believable performance beyond the merely flat imitation of stereotyped gestures.<\/span>
Through demonstration of fundamental stylistic models, applied study and execution techniques and relative scenic exercises, the singer is carefully directed and guided towards the expressive credibility required today for a successful and self-fullfiling performance. The psychological mask of\u00a0F. Schaljapin<\/strong>.<\/span><\/p>\n

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Opera Start-up \u2013 Gesture beyond the voice The changing perspectives of musical theatre and evolving public expectations have increased the complexity of the singer\u2019s role.Within this current climate of audience-informed expectations of the artist, the vocally confident, talented, even musically gifted singers lacking pure acting abilities, are judged poorly against innately talented actors with performance […]<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","_ml_titleColor":"#000000","_ml_titleFont":"Roboto","_ml_titleFontSize":1.136,"_ml_titleFontWeight":"400","_ml_titleLineHeight":1.3,"_ml_metaColor":"#708090","_ml_metaFont":"Montserrat","_ml_metaFontSize":0.6785,"_ml_metaFontWeight":"400","_ml_metaLineHeight":0.92,"_ml_bodyColor":"#a9a9a9","_ml_bodyFont":"Open Sans","_ml_bodyFontSize":0.85,"_ml_bodyFontWeight":"400","_ml_bodyLineHeight":1.2,"_ml_wooPriceColor":"#666","_ml_wooPriceFont":"Open Sans","_ml_wooPriceFontSize":0.9,"_ml_wooPriceFontWeight":"400","_ml_wooPriceLineHeight":1.27,"_ml_headingColor":"#000","_ml_headingFont":"Merriweather","_ml_headingFontSize":2.02,"_ml_headingFontWeight":"700","_ml_headingLineHeight":1.47,"_mlglobal_userfontcolors":{"headingColorUser":[],"titleColorUser":[],"metaColorUser":[],"bodyColorUser":[],"wooPriceColorUser":[]},"footnotes":""},"class_list":["post-47512","page","type-page","status-publish","hentry"],"yoast_head":"\nARTE ALL'AUDIZIONE - 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